Wave tee
Heavyweight organic cotton in washed black, with the tide-and-mast print in mustard and cream.
Indie four-piece · Brunswick, VIC
Warm, slow-burning songs for tram windows and late walks home. New LP Saltwater Hours is out Fri 6 Nov. Drop the needle for a taste — each side plays an original loop built live in your browser.
Drag the tonearm onto the record
Needle upPress play, or drag the tonearm onto a band of the record.
Sound is off until you press play. Every loop is an original, generated on the spot: chord pads, bass, noise-burst drums and a little vinyl crackle.
New record · out Fri 6 Nov
Six songs written between the Upfield line and the bay, recorded live to tape in a converted milk bar. Tap a track to put its loop on the turntable.
Pre-order the LP — $45 (sample price)
Gatefold sleeve, lyric insert and a download code. Classic black or mustard splatter, posted the week of release.
Saltwater Hours tour
Launch night at home in Brunswick, then up the east coast and across to the west. Sample dates for this demo — the ticket links don't sell anything.
Merch table
Printed in small runs in Melbourne's north. Sample prices in AUD; postage anywhere in Australia is a flat $12 (sample).
Heavyweight organic cotton in washed black, with the tide-and-mast print in mustard and cream.
180g vinyl, gatefold sleeve, lyric insert and download code. Posted the week of release.
Thick canvas, long handles, square enough to carry a dozen records home from the shops.
Your crate is empty — add something from the table.
Liner notes
“We write for the tram window, the bike path and the walk along the creek when you're not ready for the night to end.”
The band started as a Tuesday-night jam in a Brunswick share house: two guitars, a borrowed electric piano and a drum kit held together with gaffer tape. The name came from a transistor radio someone left on a pier at low tide, still playing to nobody.
Saltwater Hours was tracked live to tape over one long Melbourne winter in a converted milk bar in Brunswick East — fridge unplugged, tram bells left in. Most songs are first or second takes.
Live, the songs stretch out: longer intros, a slow cover or two of songs our parents played in the car, and an encore if the room asks nicely.
Mailing list
One email a month, tops: new songs first, tour dates before they're announced, and the odd rehearsal-room demo. Unsubscribe whenever you like.