Wedding & brand films that let the moment run

A day inside your business, cut into films people watch to the end.

We spend a day with the people who make the thing — the shaper, the roaster, the florist — and let the camera run until it stops feeling like a shoot.

• 60–90 s hero film
• 3 × 15 s verticals
• 20 graded stills
• Captions burned in

Sample shot list · brand day

1. 1AHands at work before the doors open50 mm · available light
2. 2CThe first customer, one unbroken walk-through24 mm · gimbal, no cuts
3. 4BThe owner, talking to someone they trust — not to camera85 mm · lav + boom
4. 6AClosing up: lights off, one at a time35 mm · locked off

We film your ceremony as one unbroken take — no cuts, no staged kiss, no “can you do that again?”

A second camera catches the faces; the long take keeps the whole ceremony exactly as it happened, pauses and laughter included. Then we cut a short film from the rest of the day.

Where we often film

CurrumbinTamborine MountainCoolangattaMudgeerabaTweed Heads NSW

Small crew, quiet kit, no lights in anyone's face.

Two full-frame cinema cameras, spherical and anamorphic primes, a gimbal, a slider, wireless lavs on whoever is speaking, a field recorder and two small LED panels for the reception. That's it.

1. Week 0Call30 minutes, no pitch.
2. Week 1RecceWalk the venue at the same hour.
3. DayShootWe arrive early, leave late.
4. +3 weeksFirst cutYou watch; we listen.
5. +4 weeksGrade & mixYour grade, your music.
6. +5 weeksDelivery4K master, socials, stills.

The edit · sample wedding film, 9 min

The ceremony sits on the timeline untouched. Everything around it is shaped in the edit, then graded — the same looks you can try at the top of this page.